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The Monkey's Paw

by W.W. Jacobs · 1902 · The Lady of the Barge

3,896 words16 min readintermediateGothic HorrorFantasy
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I.

Without, the night was cold and wet, but in the small parlour of Laburnam Villa the blinds were drawn and the fire burned brightly. Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire.

"Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it.

"I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check."

"I should hardly think that he'd come tonight," said his father, with his hand poised over the board.

"Mate," replied the son.

"That's the worst of living so far out," bawled Mr. White, with sudden and unlooked-for violence; "of all the beastly, slushy, out-of-the-way places to live in, this is the worst. Pathway's a bog, and the road's a torrent. I don't know what people are thinking about. I suppose because only two houses in the road are let, they think it doesn't matter."

"Never mind, dear," said his wife, soothingly; "perhaps you'll win the next one." Mr. White looked up sharply, just in time to intercept a knowing glance between mother and son. The words died away on his lips, and he hid a guilty grin in his thin grey beard.

"There he is," said Herbert White, as the gate banged to loudly and heavy footsteps came toward the door.

The old man rose with hospitable haste, and opening the door, was heard condoling with the new arrival. The new arrival also condoled with himself, so that Mrs. White said, "Tut, tut!" and coughed gently as her husband entered the room, followed by a tall, burly man, beady of eye and rubicund of visage.

"Sergeant-Major Morris," he said, introducing him.

The sergeant-major shook hands, and taking the proffered seat by the fire, watched contentedly while his host got out whiskey and tumblers and stood a small copper kettle on the fire.

At the third glass his eyes got brighter, and he began to talk, the little family circle regarding with eager interest this visitor from distant parts, as he squared his broad shoulders in the chair and spoke of wild scenes and doughty deeds; of wars and plagues and strange peoples.

"Twenty-one years of it," said Mr. White, nodding at his wife and son. "When he went away he was a slip of a youth in the warehouse. Now look at him."

"He don't look to have taken much harm," said Mrs. White, politely.

"I'd like to go to India myself," said the old man, "just to look round a bit, you know."

"Better where you are," said the sergeant-major, shaking his head. He put down the empty glass, and sighing softly, shook it again.

"I should like to see those old temples and fakirs and jugglers," said the old man. "What was that you started telling me the other day about a monkey's paw or something, Morris?"

"Nothing," said the soldier, hastily. "Leastways nothing worth hearing."

"Monkey's paw?" said Mrs. White, curiously.

"Well, it's just a bit of what you might call magic, perhaps," said the sergeant-major, offhandedly.

His three listeners leaned forward eagerly. The visitor absent-mindedly put his empty glass to his lips and then set it down again. His host filled it for him.

"To look at," said the sergeant-major, fumbling in his pocket, "it's just an ordinary little paw, dried to a mummy."

He took something out of his pocket and proffered it. Mrs. White drew back with a grimace, but her son, taking it, examined it curiously.

"And what is there special about it?" inquired Mr. White as he took it from his son, and having examined it, placed it upon the table.

"It had a spell put on it by an old fakir," said the sergeant-major, "a very holy man. He wanted to show that fate ruled people's lives, and that those who interfered with it did so to their sorrow. He put a spell on it so that three separate men could each have three wishes from it."

His manner was so impressive that his hearers were conscious that their light laughter jarred somewhat.

"Well, why don't you have three, sir?" said Herbert White, cleverly.

The soldier regarded him in the way that middle age is wont to regard presumptuous youth. "I have," he said, quietly, and his blotchy face whitened.

"And did you really have the three wishes granted?" asked Mrs. White.

"I did," said the sergeant-major, and his glass tapped against his strong teeth.

"And has anybody else wished?" persisted the old lady.

"The first man had his three wishes. Yes," was the reply; "I don't know what the first two were, but the third was for death. That's how I got the paw."

His tones were so grave that a hush fell upon the group.

"If you've had your three wishes, it's no good to you now, then, Morris," said the old man at last. "What do you keep it for?"

The soldier shook his head. "Fancy, I suppose," he said, slowly. "I did have some idea of selling it, but I don't think I will. It has caused enough mischief already. Besides, people won't buy. They think it's a fairy tale; some of them, and those who do think anything of it want to try it first and pay me afterward."

"If you could have another three wishes," said the old man, eyeing him keenly, "would you have them?"

"I don't know," said the other. "I don't know."

He took the paw, and dangling it between his forefinger and thumb, suddenly threw it upon the fire. White, with a slight cry, stooped down and snatched it off.

"Better let it burn," said the soldier, solemnly.

"If you don't want it, Morris," said the other, "give it to me."

"I won't," said his friend, doggedly. "I threw it on the fire. If you keep it, don't blame me for what happens. Pitch it on the fire again like a sensible man."

The other shook his head and examined his new possession closely. "How do you do it?" he inquired.

"Hold it up in your right hand and wish aloud," said the sergeant-major, "but I warn you of the consequences."

"Sounds like the Arabian Nights," said Mrs. White, as she rose and began to set the supper. "Don't you think you might wish for four pairs of hands for me?"

Her husband drew the talisman from pocket, and then all three burst into laughter as the sergeant-major, with a look of alarm on his face, caught him by the arm.

"If you must wish," he said, gruffly, "wish for something sensible."

Mr. White dropped it back in his pocket, and placing chairs, motioned his friend to the table. In the business of supper the talisman was partly forgotten, and afterward the three sat listening in an enthralled fashion to a second instalment of the soldier's adventures in India.

"If the tale about the monkey's paw is not more truthful than those he has been telling us," said Herbert, as the door closed behind their guest, just in time for him to catch the last train, "we sha'nt make much out of it."

"Did you give him anything for it, father?" inquired Mrs. White, regarding her husband closely.

"A trifle," said he, colouring slightly. "He didn't want it, but I made him take it. And he pressed me again to throw it away."

"Likely," said Herbert, with pretended horror. "Why, we're going to be rich, and famous and happy. Wish to be an emperor, father, to begin with; then you can't be henpecked."

He darted round the table, pursued by the maligned Mrs. White armed with an antimacassar.

Mr. White took the paw from his pocket and eyed it dubiously. "I don't know what to wish for, and that's a fact," he said, slowly. "It seems to me I've got all I want."

"If you only cleared the house, you'd be quite happy, wouldn't you?" said Herbert, with his hand on his shoulder. "Well, wish for two hundred pounds, then; that'll just do it."

His father, smiling shamefacedly at his own credulity, held up the talisman, as his son, with a solemn face, somewhat marred by a wink at his mother, sat down at the piano and struck a few impressive chords.

"I wish for two hundred pounds," said the old man distinctly.

A fine crash from the piano greeted the words, interrupted by a shuddering cry from the old man. His wife and son ran toward him.

"It moved," he cried, with a glance of disgust at the object as it lay on the floor. "As I wished, it twisted in my hand like a snake."

"Well, I don't see the money," said his son as he picked it up and placed it on the table, "and I bet I never shall."

"It must have been your fancy, father," said his wife, regarding him anxiously.

He shook his head. "Never mind, though; there's no harm done, but it gave me a shock all the same."

They sat down by the fire again while the two men finished their pipes. Outside, the wind was higher than ever, and the old man started nervously at the sound of a door banging upstairs. A silence unusual and depressing settled upon all three, which lasted until the old couple rose to retire for the night.

"I expect you'll find the cash tied up in a big bag in the middle of your bed," said Herbert, as he bade them good-night, "and something horrible squatting up on top of the wardrobe watching you as you pocket your ill-gotten gains."

He sat alone in the darkness, gazing at the dying fire, and seeing faces in it. The last face was so horrible and so simian that he gazed at it in amazement. It got so vivid that, with a little uneasy laugh, he felt on the table for a glass containing a little water to throw over it. His hand grasped the monkey's paw, and with a little shiver he wiped his hand on his coat and went up to bed.

II.

In the brightness of the wintry sun next morning as it streamed over the breakfast table he laughed at his fears. There was an air of prosaic wholesomeness about the room which it had lacked on the previous night, and the dirty, shrivelled little paw was pitched on the sideboard with a carelessness which betokened no great belief in its virtues.

"I suppose all old soldiers are the same," said Mrs. White. "The idea of our listening to such nonsense! How could wishes be granted in these days? And if they could, how could two hundred pounds hurt you, father?"

"Might drop on his head from the sky," said the frivolous Herbert.

"Morris said the things happened so naturally," said his father, "that you might if you so wished attribute it to coincidence."

"Well, don't break into the money before I come back," said Herbert as he rose from the table. "I'm afraid it'll turn you into a mean, avaricious man, and we shall have to disown you."

His mother laughed, and following him to the door, watched him down the road; and returning to the breakfast table, was very happy at the expense of her husband's credulity. All of which did not prevent her from scurrying to the door at the postman's knock, nor prevent her from referring somewhat shortly to retired sergeant-majors of bibulous habits when she found that the post brought a tailor's bill.

"Herbert will have some more of his funny remarks, I expect, when he comes home," she said, as they sat at dinner.

"I dare say," said Mr. White, pouring himself out some beer; "but for all that, the thing moved in my hand; that I'll swear to."

"You thought it did," said the old lady soothingly.

"I say it did," replied the other. "There was no thought about it; I had just—What's the matter?"

His wife made no reply. She was watching the mysterious movements of a man outside, who, peering in an undecided fashion at the house, appeared to be trying to make up his mind to enter. In mental connection with the two hundred pounds, she noticed that the stranger was well dressed, and wore a silk hat of glossy newness. Three times he paused at the gate, and then walked on again. The fourth time he stood with his hand upon it, and then with sudden resolution flung it open and walked up the path. Mrs. White at the same moment placed her hands behind her, and hurriedly unfastening the strings of her apron, put that useful article of apparel beneath the cushion of her chair.

She brought the stranger, who seemed ill at ease, into the room. He gazed at her furtively, and listened in a preoccupied fashion as the old lady apologized for the appearance of the room, and her husband's coat, a garment which he usually reserved for the garden. She then waited as patiently as her sex would permit, for him to broach his business, but he was at first strangely silent.

"I—was asked to call," he said at last, and stooped and picked a piece of cotton from his trousers. "I come from 'Maw and Meggins.'"

The old lady started. "Is anything the matter?" she asked, breathlessly. "Has anything happened to Herbert? What is it? What is it?"

Her husband interposed. "There, there, mother," he said, hastily. "Sit down, and don't jump to conclusions. You've not brought bad news, I'm sure, sir;" and he eyed the other wistfully.

"I'm sorry—" began the visitor.

"Is he hurt?" demanded the mother, wildly.

The visitor bowed in assent. "Badly hurt," he said, quietly, "but he is not in any pain."

"Oh, thank God!" said the old woman, clasping her hands. "Thank God for that! Thank———"

She broke off suddenly as the sinister meaning of the assurance dawned upon her and she saw the awful confirmation of her fears in the other's perverted face. She caught her breath, and turning to her slower-witted husband, laid her trembling old hand upon his. There was a long silence.

"He was caught in the machinery," said the visitor at length in a low voice.

"Caught in the machinery," repeated Mr. White, in a dazed fashion, "yes."

He sat staring blankly out at the window, and taking his wife's hand between his own, pressed it as he had been wont to do in their old courting-days nearly forty years before.

"He was the only one left to us," he said, turning gently to the visitor. "It is hard."

The other coughed, and rising, walked slowly to the window. "The firm wished me to convey their sincere sympathy with you in your great loss," he said, without looking round. "I beg that you will understand I am only their servant and merely obeying orders."

There was no reply; the old woman's face was white, her eyes staring, and her breath inaudible; on the husband's face was a look such as his friend the sergeant might have carried into his first action.

"I was to say that Maw and Meggins disclaim all responsibility," continued the other. "They admit no liability at all, but in consideration of your son's services, they wish to present you with a certain sum as compensation."

Mr. White dropped his wife's hand, and rising to his feet, gazed with a look of horror at his visitor. His dry lips shaped the words, "How much?"

"Two hundred pounds," was the answer.

Unconscious of his wife's shriek, the old man smiled faintly, put out his hands like a sightless man, and dropped, a senseless heap, to the floor.

III.

In the huge new cemetery, some two miles distant, the old people buried their dead, and came back to a house steeped in shadow and silence. It was all over so quickly that at first they could hardly realize it, and remained in a state of expectation as though of something else to happen—something else which was to lighten this load, too heavy for old hearts to bear.

But the days passed, and expectation gave place to resignation—the hopeless resignation of the old, sometimes miscalled, apathy. Sometimes they hardly exchanged a word, for now they had nothing to talk about, and their days were long to weariness.

It was about a week after that the old man, waking suddenly in the night, stretched out his hand and found himself alone. The room was in darkness, and the sound of subdued weeping came from the window. He raised himself in bed and listened.

"Come back," he said, tenderly. "You will be cold."

"It is colder for my son," said the old woman, and wept afresh.

The sound of her sobs died away on his ears. The bed was warm, and his eyes heavy with sleep. He dozed fitfully, and then slept until a sudden wild cry from his wife awoke him with a start.

"The paw!" she cried wildly. "The monkey's paw!"

He started up in alarm. "Where? Where is it? What's the matter?"

She came stumbling across the room toward him. "I want it," she said, quietly. "You've not destroyed it?"

"It's in the parlour, on the bracket," he replied, marvelling. "Why?"

She cried and laughed together, and bending over, kissed his cheek.

"I only just thought of it," she said, hysterically. "Why didn't I think of it before? Why didn't you think of it?"

"Think of what?" he questioned.

"The other two wishes," she replied, rapidly. "We've only had one."

"Was not that enough?" he demanded, fiercely.

"No," she cried, triumphantly; "we'll have one more. Go down and get it quickly, and wish our boy alive again."

The man sat up in bed and flung the bedclothes from his quaking limbs. "Good God, you are mad!" he cried, aghast.

"Get it," she panted; "get it quickly, and wish Oh, my boy, my boy!"

Her husband struck a match and lit the candle. "Get back to bed," he said, unsteadily. "You don't know what you are saying."

"We had the first wish granted," said the old woman, feverishly; "why not the second?"

"A coincidence," stammered the old man.

"Go and get it and wish," cried his wife, quivering with excitement.

The old man turned and regarded her, and his voice shook. "He has been dead ten days, and besides he—I would not tell you else, but—I could only recognize him by his clothing. If he was too terrible for you to see then, how now?"

"Bring him back," cried the old woman, and dragged him toward the door. "Do you think I fear the child I have nursed?"

He went down in the darkness, and felt his way to the parlour, and then to the mantelpiece. The talisman was in its place, and a horrible fear that the unspoken wish might bring his mutilated son before him ere he could escape from the room seized upon him, and he caught his breath as he found that he had lost the direction of the door. His brow cold with sweat, he felt his way round the table, and groped along the wall until he found himself in the small passage with the unwholesome thing in his hand.

Even his wife's face seemed changed as he entered the room. It was white and expectant, and to his fears seemed to have an unnatural look upon it. He was afraid of her.

"Wish!" she cried, in a strong voice.

"It is foolish and wicked," he faltered.

"Wish!" repeated his wife.

He raised his hand. "I wish my son alive again."

The talisman fell to the floor, and he regarded it fearfully. Then he sank trembling into a chair as the old woman, with burning eyes, walked to the window and raised the blind.

He sat until he was chilled with the cold, glancing occasionally at the figure of the old woman peering through the window. The candle-end, which had burned below the rim of the china candlestick, was throwing pulsating shadows on the ceiling and walls, until, with a flicker larger than the rest, it expired. The old man, with an unspeakable sense of relief at the failure of the talisman, crept back to his bed, and a minute or two afterward the old woman came silently and apathetically beside him.

Neither spoke, but lay silently listening to the ticking of the clock. A stair creaked, and a squeaky mouse scurried noisily through the wall. The darkness was oppressive, and after lying for some time screwing up his courage, he took the box of matches, and striking one, went downstairs for a candle.

The matches fell from his hand and spilled in the passage. He stood motionless, his breath suspended until the knock was repeated. Then he turned and fled swiftly back to his room, and closed the door behind him. A third knock sounded through the house.

"What's that?" cried the old woman, starting up.

"A rat," said the old man in shaking tones—"a rat. It passed me on the stairs."

His wife sat up in bed listening. A loud knock resounded through the house.

"It's Herbert!" she screamed. "It's Herbert!"

She ran to the door, but her husband was before her, and catching her by the arm, held her tightly.

"What are you going to do?" he whispered hoarsely.

"It's my boy; it's Herbert!" she cried, struggling mechanically. "I forgot it was two miles away. What are you holding me for? Let go. I must open the door.

"For God's sake don't let it in," cried the old man, trembling.

"You're afraid of your own son," she cried, struggling. "Let me go. I'm coming, Herbert; I'm coming."

There was another knock, and another. The old woman with a sudden wrench broke free and ran from the room. Her husband followed to the landing, and called after her appealingly as she hurried downstairs. He heard the chain rattle back and the bottom bolt drawn slowly and stiffly from the socket. Then the old woman's voice, strained and panting.

"The bolt," she cried, loudly. "Come down. I can't reach it."

But her husband was on his hands and knees groping wildly on the floor in search of the paw. If he could only find it before the thing outside got in. A perfect fusillade of knocks reverberated through the house, and he heard the scraping of a chair as his wife put it down in the passage against the door. He heard the creaking of the bolt as it came slowly back, and at the same moment he found the monkey's paw, and frantically breathed his third and last wish.

The knocking ceased suddenly, although the echoes of it were still in the house. He heard the chair drawn back, and the door opened. A cold wind rushed up the staircase, and a long loud wail of disappointment and misery from his wife gave him courage to run down to her side, and then to the gate beyond. The street lamp flickering opposite shone on a quiet and deserted road.


Reading guide by Jack Shi · Contains spoilers

What is The Monkey’s Paw about?

The Monkey’s Paw follows the Whites, an elderly couple and their grown son Herbert, who are given a dried monkey’s paw by Sergeant-Major Morris. A fakir put a spell on it “to show that fate ruled people’s lives, and that those who interfered with it did so to their sorrow.” Mr. White wishes for two hundred pounds. The next day a man from Maw and Meggins tells them Herbert was “caught in the machinery” and offers exactly two hundred pounds. About a week after the funeral Mrs. White makes her husband wish “my son alive again.” Knocking starts at the door, and Mr. White finds the paw and “breathed his third and last wish.” The knocking stops and the road outside is empty. The text never says what the third wish was or what was at the door.

One-page summary

Who
Mr. White, his wife, and their grown son Herbert; their friend Sergeant-Major Morris, who has served twenty-one years in India; and an unnamed visitor from the firm Maw and Meggins.
Where
Laburnam Villa, a house “so far out” that the road is “a torrent” on a cold, wet night; the firm that employs Herbert is Maw and Meggins, and the cemetery is “some two miles distant.”
The paw
“It's just an ordinary little paw, dried to a mummy.” An old fakir put a spell on it “so that three separate men could each have three wishes from it.” Morris is the second owner; the first man’s third wish “was for death.”
First wish
At Herbert’s prompting Mr. White wishes for “two hundred pounds.” The paw “twisted in my hand like a snake,” and nothing else happens that night.
The price
The next day the visitor says Herbert was “caught in the machinery.” The firm “disclaim all responsibility” but offers “Two hundred pounds.”
Second wish
A week after the funeral Mrs. White realizes “We've only had one” and drives her husband to wish “my son alive again,” though he tells her he “could only recognize him by his clothing.”
The knocking
After a silence, a knock sounds through the house and then more, which Mrs. White takes for Herbert. She runs to unfasten the door while Mr. White gropes on the floor for the paw.
Third wish
He “frantically breathed his third and last wish.” The knocking “ceased suddenly,” the door opens on a cold wind, and the lamp-lit road is “quiet and deserted.”
Themes
Fate and interference, grief, the cost of getting what you ask for, and the limit of what the narrator tells.
Length
About 3,896 words in this edition, roughly a sixteen-minute read, in three numbered parts.

Characters

Mr. White

The head of the household, who opens the story “putting his king into such sharp and unnecessary perils” at chess. He takes the paw from Morris against Morris’s advice, wishes “smiling shamefacedly at his own credulity,” and is the one who makes all three wishes. In Part III he is afraid of the second wish and of his wife’s face, and it is his hand that finds the paw in the dark.

Mrs. White

The “white-haired old lady knitting placidly by the fire.” She is dry and humorous in Part I, joking about “four pairs of hands.” After Herbert dies she is the one who thinks of the remaining wishes. Her grief turns into the insistence “Wish!” that drives the last third of the story.

Herbert White

The son, who wins at chess and tells his father to wish for “two hundred pounds, then; that’ll just do it.” He teases his parents and encourages the wish, which is why his death carries a dark irony. He appears only in Parts I and II, and only as speech and memory afterward.

Sergeant-Major Morris

A “tall, burly man, beady of eye and rubicund of visage,” back from India. He gives the story’s only account of the paw’s history and throws it on the fire, saying “Better let it burn.” He never says what his own three wishes were. He leaves in Part I and does not return.

The visitor from Maw and Meggins

An unnamed, “well dressed” man who calls with news he finds hard to say. He tells the Whites that the firm accepts no liability but will pay “a certain sum as compensation.” He says he is “only their servant and merely obeying orders.”

The fakir

The “very holy man” who enchanted the paw. He never appears; Morris reports his purpose in one sentence. The story’s statement about fate comes through him.

Setting and timeline

The story stays inside or near one house. Part I is a cosy evening in the parlour with “the blinds … drawn and the fire … burned brightly,” set against a night that is “cold and wet.” Part II is a bright wintry morning; Part III is the dark house and the passage down to the front door.

The text gives no year or place name. Morris’s years in India, the “last train,” and a “tailor’s bill” in the post suggest a British setting, but the story never says where the villa is.

  1. Part I, eveningMorris visits, tells the Whites about the paw, throws it on the fire, and White snatches it out. White wishes for two hundred pounds; the paw twists in his hand.
  2. Part I, later that nightAlone in the dark, White sees “faces” in the dying fire, the last “so horrible and so simian.” His hand closes on the paw and he goes to bed.
  3. Part II, next morningIn “the brightness of the wintry sun” he laughs at his fears. Herbert leaves for work.
  4. Part II, dinnerA well-dressed stranger hesitates at the gate three times and then comes in. He tells them Herbert was “caught in the machinery.”
  5. Part II, the paymentThe firm offers “Two hundred pounds,” and Mr. White drops senseless to the floor.
  6. Part III, the burialThe old people bury their son in “the huge new cemetery” and come back to a house “steeped in shadow and silence.”
  7. Part III, a week laterIn the night Mrs. White cries “The paw!” and says, “we’ll have one more.” Her husband refuses, then goes down for it.
  8. Part III, the second wishWhite says “I wish my son alive again.” The talisman falls, the candle goes out, and he returns to bed with “an unspeakable sense of relief at the failure of the talisman.”
  9. Part III, the knockingA knock, then a third, then “A perfect fusillade of knocks.” Mrs. White runs for the door; White finds the paw and makes his third wish. The knocking stops and the road is empty.

Symbols and their meanings

The paw

it's just an ordinary little paw, dried to a mummy.

The object is plain on purpose. Morris calls it “ordinary,” and the family treats it as “a bit of what you might call magic.” What makes it significant is the spell and the repeated warning, not how it looks. It is also the only item the story ever calls a “talisman,” which marks it as something carried for its supposed power.

The fire

He took the paw, and dangling it between his forefinger and thumb, suddenly threw it upon the fire.

Morris tries to destroy the paw and White pulls it out, so the fire is where the story’s first choice is made. That night the same fire shows White “faces,” the last “so horrible and so simian.” All nine uses of the word “fire” are in Part I.

The cosy parlour against the wet night

Without, the night was cold and wet, but in the small parlour of Laburnam Villa the blinds were drawn and the fire burned brightly.

The first sentence sets inside against outside. The Whites’ safety depends on what the blinds keep out, and the final scene brings the outside in: “A cold wind rushed up the staircase.”

The chess game

putting his king into such sharp and unnecessary perils that it even provoked comment

Before the paw appears, Mr. White is already shown taking risks he does not need to take, and losing: “Mate,” replied the son. The detail is small and comic, and it shows a man who takes risks before he is offered the paw.

The knocking

A perfect fusillade of knocks reverberated through the house

The sound is the only evidence of what has come. The story never shows what is at the door, and knocking makes the reader’s dread depend on what the characters fear, not on a description.

Chain, bolt, and chair

He heard the chain rattle back and the bottom bolt drawn slowly and stiffly from the socket.

The delay is built from physical obstacles: a chain, a bolt out of Mrs. White’s reach, a chair she must stand on. The last stretch of the story is a race between her hands and his search for the paw.

What the narrator claims, and what the text shows

The paw is what killed Herbert.

"A coincidence," stammered the old man.

The story gives no scene in which the paw causes anything. In Part II Mr. White reports that Morris said “the things happened so naturally” that “you might if you so wished attribute it to coincidence,” and in Part III White uses the word himself. The link between wish and death is made by sequence and by the matching sum, not by the narrator.

Morris gave them a cursed object and walked away.

If you keep it, don't blame me for what happens.

Morris warns more than once, throws the paw on the fire, and says “wish for something sensible.” Mr. White admits, “He didn't want it, but I made him take it.” The text puts the decision on White.

Mr. White is greedy.

It seems to me I've got all I want.

White hesitates and says he wants nothing. The amount comes from Herbert, who says “Well, wish for two hundred pounds, then; that'll just do it” after speaking of clearing the house. White wishes “smiling shamefacedly at his own credulity.”

Herbert comes back at the door.

The street lamp flickering opposite shone on a quiet and deserted road.

The reader never sees who or what knocked. The final lines describe the cold wind, Mrs. White’s “long loud wail of disappointment and misery,” and the empty road. The text gives no description of Herbert at the door.

The third wish sent Herbert back to the grave.

frantically breathed his third and last wish.

This is the only sentence that mentions the third wish, and it does not say what was wished. Readers infer an undoing from the sudden silence, but the words of the wish are not on the page.

Ending explained

The ending is built from what happens after the third wish. “The knocking ceased suddenly, although the echoes of it were still in the house.” Mr. White hears the chair drawn back and the door open. A cold wind comes up the stairs. Mrs. White gives “a long loud wail of disappointment and misery.” He runs down and finds “a quiet and deserted road.” The story stops on that picture.

The text does not state the wording of the third wish. A common reading is that it undid the second: the knocking stops and nothing is outside. That reading fits Mrs. White’s “disappointment,” but the text never confirms it. The same silence applies to what was knocking: after the second wish Mr. White feels “relief at the failure of the talisman,” and then the knocking begins, but the story does not describe the thing outside.

The irony is that each wish is answered in a way the wisher did not intend. The first wish gets the sum asked for, two hundred pounds, from the firm that disclaims responsibility for Herbert’s death. The second is pressed by a mother who has been told “I could only recognize him by his clothing.” Jacobs leaves it to the reader to decide how much the paw caused and how much the Whites’ grief did.

Word counts in this text

Counts from the 3,896-word text on this page, so you can check any of them against the story above. They describe this edition; other printings may differ slightly.

  • “wish” (wish, wishes, wished, wishing): 29 — Fifteen of the 29 are in Part I, four in Part II, and ten in Part III, where the second and third wishes are made.
  • “paw”: 13 — “monkey's paw” appears 6 times; “talisman” appears 6 times; the two words are used for the same object.
  • “knock” (knock, knocks, knocked, knocking): 7 — One is the postman’s knock in Part II; the other six are in Part III, after the second wish.
  • “fire”: 9 — All nine are in Part I: the parlour fire, the paw thrown on it, and the faces White sees in it.
  • “door”: 13 — Four in Part I, two in Part II, seven in Part III, where Mrs. White’s race to the front door ends the story.
  • “two hundred”: 5 — Twice in Part I (Herbert’s suggestion and the wish itself) and three times in Part II (the family’s joking, Mrs. White’s thought, and the firm’s answer).
  • “coincidence”: 2 — Once in Part II, in Mr. White’s report of Morris’s remark; once in Part III, said by White.

Vocabulary from the text

  • doughty — brave and determined In the text: “wild scenes and doughty deeds”
  • rubicund — ruddy or reddish in the face In the text: “beady of eye and rubicund of visage”
  • antimacassar — a cloth laid over a chair back to protect it In the text: “armed with an antimacassar”
  • talisman — an object believed to carry magic power In the text: “The talisman was in its place”
  • avaricious — greedy for money In the text: “a mean, avaricious man”
  • bibulous — fond of drinking In the text: “retired sergeant-majors of bibulous habits”
  • prosaic — ordinary and unromantic In the text: “an air of prosaic wholesomeness”
  • simian — like an ape or monkey In the text: “so horrible and so simian”
  • fusillade — a rapid burst of firing or blows In the text: “A perfect fusillade of knocks”

Classroom activities

  • Fate and interference. Morris says the fakir wanted to show “that fate ruled people's lives, and that those who interfered with it did so to their sorrow.” List every point where a character interferes with something in the story. Which ones does the text connect to the paw, and which does it leave open?
  • Write the third wish. Using only what the text gives, write what you think Mr. White said and explain which lines support your choice. Then explain why Jacobs may have left the words out.
  • Compare two endings. Read The Monkey’s Paw and The Cask of Amontillado. Both end on a final image. In which story does the final image tell the reader more about what happened, and in which does it leave more to the reader?

Publication and sources

According to Wikipedia, “The Monkey’s Paw” first appeared in Harper’s Monthly in September 1902 and was reprinted later that year in W. W. Jacobs’ third collection of short stories, The Lady of the Barge. It has been adapted many times; a one-act play opened at London’s Haymarket Theatre on 6 October 1903. Wikipedia: The Monkey’s Paw.

The full text on this page follows the Wikisource transcription of The Lady of the Barge. The illustration caption that appears in that edition is not part of the story and is left out here. The numerals “I.”, “II.” and “III.” are the story’s own section headings. Wikisource: The Lady of the Barge / The Monkey's Paw.

Frequently asked questions

What is the main idea or theme of The Monkey’s Paw?

The central idea is stated by Morris: the fakir wanted “to show that fate ruled people's lives, and that those who interfered with it did so to their sorrow.” Readers also discuss grief, the cost of wishing for money, and what people will ask for when they lose someone.

What are the three wishes in The Monkey’s Paw?

The first is for “two hundred pounds.” The second is “I wish my son alive again.” The text says Mr. White “breathed his third and last wish” but never gives its words.

What was the third wish in The Monkey’s Paw?

The text does not say. Many readers infer it undid the second wish, because the knocking stops and the road is empty, but that is an inference. This page treats it as an open point.

Why does Herbert die in The Monkey’s Paw?

Herbert is “caught in the machinery” at Maw and Meggins, as the visitor reports. The story does not narrate the accident. Readers link it to the first wish because the firm pays exactly two hundred pounds, and Morris notes earlier that you might “attribute it to coincidence.”

What happens at the end of The Monkey’s Paw?

Mrs. White unfastens the door while Mr. White searches for the paw. He makes his third wish, the knocking stops, and the door opens on a cold wind and “a quiet and deserted road.” The story does not show who or what had been knocking.

Why does Sergeant-Major Morris throw the paw on the fire?

He says it “has caused enough mischief already” and tells White to “Pitch it on the fire again like a sensible man.” White pulls it out. Morris never describes his own three wishes.

What does the monkey’s paw symbolize?

It is commonly read as a symbol of tampering with fate and of wishes that come true at a cost. The text itself calls it “an ordinary little paw” and a “talisman,” and gives its meaning through Morris’s warning and the fakir’s stated purpose.

Who wrote The Monkey’s Paw and when was it published?

W. W. Jacobs. According to Wikipedia it first appeared in Harper’s Monthly in September 1902 and was reprinted later that year in his collection The Lady of the Barge.

Is The Monkey’s Paw in the public domain?

Yes. It was published in 1902, and the text on this page follows the Wikisource transcription.

Explore the techniques and writing guides

Analysis

Summary

Mr. and Mrs. White acquire a magical monkey's paw from Sergeant-Major Morris, who warns them that its wishes come with devastating consequences. Mr. White's wish for two hundred pounds is followed the next day by news that their son Herbert was caught in machinery at work; the firm disclaims responsibility but pays exactly that sum. About a week after the funeral, Mrs. White insists he use the second wish to bring Herbert back. When a knocking begins at the door, Mr. White finds the paw and makes a third and last wish, whose words the story never gives. The knocking stops and the road outside is empty.

Plot Structure

expositionThe White family enjoys a quiet evening at Laburnam Villa when Sergeant-Major Morris arrives and introduces the monkey's paw and its three wishes.
rising ActionDespite Morris's dire warnings, Mr. White wishes for two hundred pounds. The next day, a man from Maw and Meggins reports that Herbert was caught in the machinery, and the firm offers exactly that sum.
climaxDriven mad by grief, Mrs. White compels her husband to use the second wish to bring Herbert back from the dead.
falling ActionA loud, insistent knocking begins at the door. Mrs. White rushes to open it while Mr. White, terrified of what stands outside, searches desperately for the paw.
resolutionMr. White makes his third and last wish as the bolt is drawn. The knocking stops, the door opens on a cold wind, and the road beyond is empty. The story does not say what was wished or what had been knocking.

Themes

Fate vs. Free Will

The fakir's spell is designed to prove that fate governs human lives and that those who tamper with destiny invite disaster upon themselves.

Grief and Desperation

The crushing loss of Herbert drives the Whites to make increasingly reckless decisions, showing how grief can override reason and caution.

The Price of Desire

Each wish carries an equal and terrible cost, illustrating that getting what you want may destroy what you already have.

Techniques

Foreshadowing

Morris's grave warnings, the paw's serpentine twisting, and Herbert's vision of faces in the fire all hint at the tragedy to come.

Symbolism

The monkey's paw represents the dangerous allure of tampering with fate. The three wishes mirror fairy-tale conventions, subverted here into horror.

Imagery

Vivid sensory details — the cold wet night, the flickering candle, the thunderous knocking — build an atmosphere of mounting dread.

Discussion Questions

  1. Why does Sergeant-Major Morris throw the paw into the fire, and what does this reveal about his experience with it?
  2. How does the setting of the cozy parlour contrast with the horror that unfolds, and what effect does this create?
  3. What role does Herbert play in encouraging his father to make the first wish, and how does this add to the story's irony?
  4. Why does Mr. White hesitate before making the second wish, and what does his fear suggest about the nature of the paw's power?
  5. What do you think Mr. White's third wish was, and why does Jacobs choose not to state it explicitly?

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